Intent
You have been given an abstract gift: the
possibility of flying on the wings of
intent.
Carlos Castaneda, The Art of Dreaming 1993
Intent or intending is something very
difficult to talk about. I or anyone else would sound idiotic trying to explain
it. Bear that in mind when you hear what I have to say next: sorcerers intend
anything they set themselves to intend , simply by intending it.
For sorcerers, because the statement I
made pertains to intent and intending , understanding it pertains to the realm
of energy. Sorcerers believe that if one would intend that statement for the
energy body, the energy body would understand it in terms entirely different
from those of the mind. The trick is to reach the energy body. For that you
need energy.
The energy body would understand that
statement in terms of a bodily feeling, which is hard to describe. You'll have
to experience it to know what I mean.
Intending is a subject not for your reason but for your energy body. At this
point, you can't yet comprehend the import of all this, not only because you
don't have sufficient energy but because you're not intending anything. If you
were, your energy body would comprehend immediately that the only way to intend
is by focusing your intent on whatever you want to intend .
[…]
To intend is to wish without wishing, to
do without doing.
Carlos
Castaneda, The Art of Dreaming 1993
In the universe
there is an unmeasurable, indescribable force which sorcerers call intent.
Absolutely everything that exists in the entire cosmos is attached to intent
by a connecting link. Sorcerers, warriors, are concerned with discussing,
understanding, and employing that connecting link. They are especially
concerned with cleaning it of the numbing effects brought about by the ordinary
concerns of their everyday lives. Sorcery at this level could be defined as the
procedure of cleaning one's connecting link to intent.
Carlos Castaneda, The Power of Silence 1987
Intent is the pervasive force that causes us to perceive. We do not become
aware because we perceive; rather, we perceive as a result of the pressure and
intrusion of intent .
[…]
The only way to know intent is to know it
directly through a living connection that exists between intent and all sentient
beings. Sorcerers call intent
the indescribable, the spirit, the abstract.
Carlos Castaneda, The Power of Silence, 1987
Every act performed by sorcerers, especially by the naguals, is either
performed as a way to strengthen their link with intent or as a response
triggered by the link itself. Sorcerers, and specifically the naguals,
therefore have to be actively and permanently on the lookout for manifestations
of the spirit. Such manifestations are called gestures of the spirit or, more
simply, indications or omens.
When a sorcerer interprets an omen he knows its exact meaning without
having any notion of how he knows it. This is one of the bewildering effects of
the connecting link with intent . Sorcerers have a sense of knowing
things directly. How sure they are depends on the strength and clarity of their
connecting link.
The feeling everyone knows as "intuition" is the activation
of our link with intent . And since sorcerers deliberately pursue the
understanding and strengthening of that link, it could be said the they intuit
everything unerringly and accurately. Reading omens is commonplace for
sorcerers--mistakes happen only when personal feelings intervene and cloud the
sorcerers' connecting link with intent . Otherwise their direct
knowledge is totally accurate and functional.
Carlos Castaneda, The Power of Silence, 1987
Intent creates edifices before us
and invites us to enter them. This is the way sorcerers understand what is
happening around them.
I want you to understand the underlying order of what I teach you. It
means two things: both the edifice that intent manufactures in the blink
of an eye and places in front of us to enter, and the signs it gives us so we
won't get lost once we are inside.
Carlos Castaneda, The Power of Silence 1987
The Manifestations of the Spirit is the name for the first abstract
core in the sorcery stories. Sorcerers know this as the edifice of intent
, or the silent voice of the spirit, or the ulterior arrangement of the
abstract.
Ulterior means knowledge without words, outside our immediate
comprehension, not beyond our ultimate possibilities for understanding. The
ulterior arrangement of the abstract is knowledge without words or the edifice
of intent . The ulterior arrangement of the abstract is to know the abstract
directly, without the intervention of language. The abstract is the element
without which there could be no warrior's path, nor any warriors in search of
knowledge.
[…]
Progress along the sorcerers' path is, in general, a drastic process the purpose
of which is to bring one's connecting link to order. In order to revive that
link sorcerers need a rigorous, fierce purpose--a special state of mind called unbending
intent .
An apprentice is someone who is striving to clear and revive his connecting
link with the spirit. Once the link is revived, he is no longer an apprentice,
but until that time, in order to keep going he needs a fierce purpose which,
of course, he doesn't have. So he allows the nagual
to provide the purpose and to do that he has to relinquish his individuality.
That's the difficult part.
Carlos Castaneda, The Power of Silence, 1987
Knowing what intent is means that one
can, at any time, explain that knowledge or use it. A nagual by the force of
his position is obliged to command his knowledge in this manner.
Carlos Castaneda, The Power of Silence, 1987
Sorcerers say that heightened awareness is the portal of intent . And
they use it as such. Think about it.
You must reach the point where you understand what intent is. And,
above all, you must understand that that knowledge cannot be turned into words.
That knowledge is there for everyone. It is there to be felt, to be used, but
not to be explained. One can come into it by changing levels of awareness,
therefore, heightened awareness is an entrance. But even the entrance cannot be
explained. One can only make use of it.
The natural knowledge of intent is available to anyone, but the command
of it belongs to those who probe it.
Carlos Castaneda, The Power of Silence, 1987
Will
is the force that keeps the Indescribable Force 's emanations separated
and is not only responsible for our awareness, but also for everything in
the universe. This force has total consciousness and it springs from the very
fields of energy that make the universe. Intent is a more appropriate
name for it than will . In the long run, however, the name proves disadvantageous,
because it does not describe its overwhelming importance nor the living connection
it has with everything in the universe.
Our great collective flaw is that we live our lives completely
disregarding that connection. The busyness of our lives, our relentless
interests, concerns, hopes, frustrations, and fears take precedence, and on a
day-to-day basis we are unaware of being linked to everything else.
Being cast out from the Garden of Eden sounds like an allegory for
losing our silent knowledge, our knowledge of intent . Sorcery, then, is
a going back to the beginning, a return to paradise.
The spirit is the force that sustains the universe. Intent is
not something one might use or command or move in any way--nevertheless, one
could use it, command it, or move it as one desires. This contradiction is the
essence of sorcery. To fail to understand it has brought generations of
sorcerers unimaginable pain and sorrow. Modern-day naguals, in an effort to
avoid paying this exorbitant price in pain, have developed a code of behavior
called the warrior's way, or the impeccable action, which prepares sorcerers by
enhancing their sobriety and thoughtfulness.
Sorcerers concern themselves exclusively with the capacity that their
individual connecting link with intent has to set them free to light the
fire from within.
All modern-day sorcerers have to struggle fiercely to gain soundness of
mind. Sorcery is an attempt to reestablish our knowledge of intent and
regain use of it without succumbing to it. The abstract cores of the sorcerer
stories are shades of realization, degrees of our being aware of intent
.
Carlos Castaneda, The Power of Silence, 1987